The four theatre scenes belong to an heterogeneous repertoire which ranges from a pessimistic manager’s monologue from the tragicomic and surreal cabaret of A. Jodorowsky, to an employee’s melodramatic opera scene in which he is plagued by the doubts of love, via the comic and naturalistic writing of Y. Reza, who introduces us to a couple dealing with their daily challenges.
Strange human beings, some real and some not, suspended in time during a decidedly fancy coffee break.